I'm at a totally irritating weight plateau. I've lost and gained the same 5 lbs for the last 2 months. It makes me grumpy about weighing in. I have sworn I'm gonna redouble my loss efforts over the holiday season. I know I can do it. When I started Weight Watchers back in 2013, Mom & I started the first weekend in December. And I lost 8 pounds between then and Valentine's Day. So I know it's possible to lose over the holiday season. So, plan is now work really hard at making good food choices and getting exercise for the next 5 weeks (just starting right after I finish this cookie dough while sitting on the couch and blogging about how annoying not losing weight when I'm half-assing it is).
Another thing that's making me really grumpy about weight loss and going to meetings is not getting any props at my WW meetings. I lost almost 15 lbs between the beginning of August and mid-October. Did I get any 5 lb star stickers? NO! Not a stupid single sticker. Meanwhile there's a couple of women who get a ribbon's worth of 5 lb stickers every time they weigh in because they've lost "yet another 5 lbs" so our leader starts counting off 5, 10, 15, 20 . . . up to 60. UGH! Why is my little accumulated 14 lbs (a whole STONE I might add - I've lost an entire unit of weight measurement in England) not worth 2 stickers? This makes me grumpy. Why are my milestones not as important just because I haven't lost 60 lbs yet? Ya know, I think a big part of it is my leader and then staff at this particular WW. No one even made a big deal when I got through my booklet (and only missed 1 week out of the 16). I went to a meeting every single week for 4 months straight and no one noticed. Kind of like how I'm feeling about a lot of things in my life right now.
Now I'm sad. Stupid weight loss.
Monday, November 28, 2016
Thursday, November 24, 2016
The napkins for the King & Queen
Finally getting around to posting on this. Previous mention of the napkins here. I had the napkins ready to go by the time of the Coronation at Purgatorio. However, I didn't get them into anyone's hands soon enough to get to the site in time (in my defense, school had just started about 2 weeks earlier). I was able to bring them to the October Crown tournament and deliver them in person.
So for my napkins for Alfar & Eilis, I took elements from their personal devices and embroidered them onto the blocks. I also learned a couple of new stitches for them. I mentioned this to Her Majesty when I presented them, but she seems to not really care very much about them. I got a brief "thank you" and I think I saw the napkins get put aside rather quickly. She gave me a rose for the effort though. That's nice.
His Majesty's device: for this a put one portcullis in the corner of the napkin. I worked it in Bayeux stitch with chain stitch for the chains. After finishing it, I fully realize that Bayeux stitch was the wrong one. The lines are just not big enough. I learned that Bayeux is better for covering larger areas. I also put the cross-gurgity in the other three corners, one in each color from his device. For these, I learned ladder stitch. This was nice because the ladders make a nice border edge that you don't need to do a stem or outline stitch for.
Her Majesty's device: for this I did the knot-work in the Hungarian braid stitch. It takes forever because it's fiddly, but I like the slightly raised line it makes. I put one of these in every corner of the napkin. Then I took her purple rose and worked that in Bayeux stitch. This looked a lot better than the portcullis on Alfar's napkin.
I entered the napkins in the Wreath of Athena competition at Crown. I have no idea how well I did. It's a populace vote competition and I find embroidery often doesn't "cut the mustard" since I think a lot of people think "oh I can do that." But the truth is, they don't and they won't put the time into it either. So meh. Sometimes people suck when it comes to crafting.
Here's a couple more pictures of me from the event. I spent the majority of the day hanging out in the salon with the needleworkers guild. it was nice to have an on the eric view of the tournament but stay in the shade. At one point the Youth Point kids came through. They were "pillaging" the different camps as part of their studies on the Vikings that weekend.
Don't let that last pic fool you. I spent the day of Crown busily working on my own emboidery. I was working on blackwork sampler and some Hungarian braid stitch for the great game board project.
So for my napkins for Alfar & Eilis, I took elements from their personal devices and embroidered them onto the blocks. I also learned a couple of new stitches for them. I mentioned this to Her Majesty when I presented them, but she seems to not really care very much about them. I got a brief "thank you" and I think I saw the napkins get put aside rather quickly. She gave me a rose for the effort though. That's nice.
 |
| Unfortunately I can't find my pics of the crosses at this moment. |
Here's a couple more pictures of me from the event. I spent the majority of the day hanging out in the salon with the needleworkers guild. it was nice to have an on the eric view of the tournament but stay in the shade. At one point the Youth Point kids came through. They were "pillaging" the different camps as part of their studies on the Vikings that weekend.
 |
| Heidi working on some gorgeous blacckwork. |
Tuesday, November 22, 2016
Dress for Dickens Faire (unders)
Dickens Fair is set in the early years of the reign of Queen Victoria. The fair specifically focuses on 1840s - 1860s. Last year I decided I would try to dress up and go for a day, but alas. There were a few issues with the underpinnings that put a halt to things (and then I went on to work on the Magpie Dress for last year's 12th Night Coronation).
I spent hours working on a new corset. I bought this sweet charming nursery print calico from JoAnn Fabrics and tirelessly pieced the whole thing together so that it was carrying the motif around the body of the corset. I was actually very pleased with the results. This is it just before binding the edges (with satin bias binding).
I spent hours working on a new corset. I bought this sweet charming nursery print calico from JoAnn Fabrics and tirelessly pieced the whole thing together so that it was carrying the motif around the body of the corset. I was actually very pleased with the results. This is it just before binding the edges (with satin bias binding).
Then I started researching corded petticoats for the support structure of the skirt. After looking at several people's work on the Internet I decided to do the method of sandwiching the cording between two layers of muslin and spiral the cording up and around. This method was tiresome and infuriating. I promptly put the corded petticoat into the UFO pile to think about what it had done wrong. It sat in the corner for a very long time. In fact, I didn't get it out again until about 3 weeks ago and even then I took the whole damn thing apart. I decided to not do the spiral and instead did straight lines across the two panels (that I then sewed together with the serger because...workhorse). Even this took flippin' forever and I still had to do a lot of fiddly working to get the cotton cording to nestle up against the previous row of stitching. I was just about ready to die of frustration and embarrassment when I thought I'd give the double needle a try. This went so quickly that I declared loudly on Facebook "I HATE LEARNING" because [sigh]. Then I starched it with Sta-Flo and made a quick petticoat out of a full sheet.
Just prior to starting the petticoat this year, I made a new chemise. I bought some of the lightest weight sheer cotton tissue this summer with the exact purpose of either a new chemise or a new veil. Or maybe both. I think there might be enough. And while the chemise pattern is not the most accurate for 19th century (I used the free pattern generator from Elizabethan Costume Net), it works just fine. That pattern goes together super quickly and is sized for your measurements. I just put in a shorter sleeve length into the generator. I chose to flat fell all the seams to both enclose the raw edges and to give them a little bit more strength. When I say sheer, this fabric is SHEER!!!
No shots of the front unless I'm in my corset...it's that sheer.
No shots of the front unless I'm in my corset...it's that sheer.
I taught a class (yeah yeah, I know I do that all the time)
I'm back. I've been focused on doing several things lately that have kept me from posting on the blog. Mainly, I've been adjusting to the new school site and teaching 3 classes I've never taught before. It's a bit terrifying to teach English when you've never taught it before and there's no real curriculum for you to go by. The drama class is going well. The ancient history class is what it is. 6th grade is the first time most students get any kind of history at all and I can teach my way out of a history curriculum wet paper bag in my sleep backwards (confident in that one). Must be doing something right though because I got my employment status changed from "temporary" to "permanent" last week. Oh yeah, I accepted that offer.
So back to the subject of the post. I've been continuing to do medievally things all these months. I even have a couple of posts partially written. Couldn't post them right when I began typing them up because they're for "sooper seekrit" projects that I was waiting to post to the general public until gifts were given to their recipients. Then I just stopped posting. But last weekend, I taught a class! Should be no big deal, right. It's what I do for a living. But this was at Collegium. It's an SCA event where we get together for a day and do lots and lots and lots of learning. I've been to a couple of them before (also the Arts & Sciences Tournament in the early summer which is a similar type of event) and I LOVE THIS EVENT. I love it because it's full of the people who I feel are serious about recreating the past. And since I'm an apprentice to a Laurel and part of that perrage's job is to teach and educate the populace about medieval stuff, I need to start thinking about these things - this teaching to other medievally people is real.
I was pretty much required to teach at this event. Now, first off, know that the SCA is a volunteer organization. No one was actually forcing me to teach at Collegium. But I'm a Princess's artisan to Her Highness of Cynagua and one of the things she asked us to do was to teach a class at an event and then discuss it with the other artisans afterward. Another reason was my Laurel basically gave me the imperative. I seem to remember the words falling from her mouth being "so collegium...we're not going to be at the event but you are teaching something." This was very matter-of-fact. The sky is blue, you are 37 years old, you are teaching at Collegium this year.
I taught the latchet shoe class. In fact, my handout was just a slightly less snarky version of the blog post. I wanted the class to be a make-and-take though so that people could leave with a pair of practical and fake footwear that give an illusion of the Renaissance. Too many times I see folks walking around in their running sneakers under their beautiful garb. While I was setting up, a couple of gentlemen came. I missed their names, but I gathered one was already an experienced leather-worker. They mentioned that they were interested in putting shoes on the feet of children. This is such a great idea! I even bought a couple of smallish sized shoes for the class (although not quite small enough - next year when we're at the height of summer season there will be more sizes available). Then as I was beginning, in walked a few of my friends from the Mists. I know that Cyn came because she had already expressed that she wasn't really into any of the classes happening that afternoon. I was grateful for the friendly face. Also, two more friendly faces, Elena and Cathyn tagged along. Now, Elena is already well-known for her gorgeous work in 16th century costuming. She already has gorgeous shoes. She doesn't need my fake latchet shoes made from canvas sneakers. And then Cilean came in too. So I had lots of people who are very 16th century enthusiasts enjoying the class and kibitzing with me. (I think one or two may have come as spies as well, but I'm glad for it - they're friendly spies so I hope they saw good things in my class). My points that I couldn't stress enough:
I still feel inadequacies when it comes to sharing my studies of costuming (and embroidery for that matter). I feel like there's nothing innovative or new that I can bring to the table. I'm learning, just like everyone else. There are so many more who know so much more than I. I'm not specialized. I'm not special. I've been reminded by many that everyone starts somewhere new; that I am probably "amazing and know so much" to someone who doesn't know at all. But why would those folks come to me when there are many more better sewists and costumers than I wandering about the kingdom. This is a hill I'm going to have to get over. Sooner rather than later I hope.
Coming up...the chat I had with two laurels about the path to the peerage.
So back to the subject of the post. I've been continuing to do medievally things all these months. I even have a couple of posts partially written. Couldn't post them right when I began typing them up because they're for "sooper seekrit" projects that I was waiting to post to the general public until gifts were given to their recipients. Then I just stopped posting. But last weekend, I taught a class! Should be no big deal, right. It's what I do for a living. But this was at Collegium. It's an SCA event where we get together for a day and do lots and lots and lots of learning. I've been to a couple of them before (also the Arts & Sciences Tournament in the early summer which is a similar type of event) and I LOVE THIS EVENT. I love it because it's full of the people who I feel are serious about recreating the past. And since I'm an apprentice to a Laurel and part of that perrage's job is to teach and educate the populace about medieval stuff, I need to start thinking about these things - this teaching to other medievally people is real.
I was pretty much required to teach at this event. Now, first off, know that the SCA is a volunteer organization. No one was actually forcing me to teach at Collegium. But I'm a Princess's artisan to Her Highness of Cynagua and one of the things she asked us to do was to teach a class at an event and then discuss it with the other artisans afterward. Another reason was my Laurel basically gave me the imperative. I seem to remember the words falling from her mouth being "so collegium...we're not going to be at the event but you are teaching something." This was very matter-of-fact. The sky is blue, you are 37 years old, you are teaching at Collegium this year.
I taught the latchet shoe class. In fact, my handout was just a slightly less snarky version of the blog post. I wanted the class to be a make-and-take though so that people could leave with a pair of practical and fake footwear that give an illusion of the Renaissance. Too many times I see folks walking around in their running sneakers under their beautiful garb. While I was setting up, a couple of gentlemen came. I missed their names, but I gathered one was already an experienced leather-worker. They mentioned that they were interested in putting shoes on the feet of children. This is such a great idea! I even bought a couple of smallish sized shoes for the class (although not quite small enough - next year when we're at the height of summer season there will be more sizes available). Then as I was beginning, in walked a few of my friends from the Mists. I know that Cyn came because she had already expressed that she wasn't really into any of the classes happening that afternoon. I was grateful for the friendly face. Also, two more friendly faces, Elena and Cathyn tagged along. Now, Elena is already well-known for her gorgeous work in 16th century costuming. She already has gorgeous shoes. She doesn't need my fake latchet shoes made from canvas sneakers. And then Cilean came in too. So I had lots of people who are very 16th century enthusiasts enjoying the class and kibitzing with me. (I think one or two may have come as spies as well, but I'm glad for it - they're friendly spies so I hope they saw good things in my class). My points that I couldn't stress enough:
- the practicality of the shoes in the types of terrain we often find ourselves at for events (come to think about it, I didn't even mention the new permanent site but I bet it's muddy, lumpy ground too)
- the ease of how fast and inexpensive you can put someone into a period-esque shoe and ease the problem of bad footwear
- that it's a modern shoe and therefore supports your body in a way you're more comfortable with and can handle things like orthopedic insoles for better comfort
- more people need to wear 16th century garb
I still feel inadequacies when it comes to sharing my studies of costuming (and embroidery for that matter). I feel like there's nothing innovative or new that I can bring to the table. I'm learning, just like everyone else. There are so many more who know so much more than I. I'm not specialized. I'm not special. I've been reminded by many that everyone starts somewhere new; that I am probably "amazing and know so much" to someone who doesn't know at all. But why would those folks come to me when there are many more better sewists and costumers than I wandering about the kingdom. This is a hill I'm going to have to get over. Sooner rather than later I hope.
Coming up...the chat I had with two laurels about the path to the peerage.